The creative act is not pure. History evidences it. Sociology extracts it. The writer loses Eden, writes to be read and comes to realize that he is answerable.
创作行为并不纯粹。历史证明了这一点。社会学提取了它。作家失去了伊甸园,写作是为了被阅读,并逐渐意识到他是需要负责的。
数学的力量在于它的抽象性,使我们能够看到不立即显现的模式和联系。
User needs are the driving force behind our progress.
We are all obsessed with conspiracies, and we are all conspiracy theorists.