The curves in my buildings are not arbitrary. They are purposeful responses to context, light and movement.
The most radical thing you can do is to be absolutely contextual.
站在一旁与完全参与之间的张力;这就是造就作家的原因。
行义不是为了躲避诋毁、获得荣誉,如果离开是符合道义的,背上狂妄的名声又有什么影响呢?