The curves in my buildings are not arbitrary. They are purposeful responses to context, light and movement.

The most radical thing you can do is to be absolutely contextual.

预测未来的最好方法就是实现它。

站在一旁与完全参与之间的张力；这就是造就作家的原因。

行义不是为了躲避诋毁、获得荣誉，如果离开是符合道义的，背上狂妄的名声又有什么影响呢？