The first step is to establish that something is possible; then probability will occur.
The writer's task is not to judge, but to understand.
I mistrust reality, but I trust the painting.
I'm mentioning all this -- I'm mentioning all this because I think this is not merely a personal problem; you may think I'm wrong in this, but I think we live in an age when our lives are regularly punctuated by career crises, by moments when what we thought we knew -- about our lives, about our careers -- comes into contact with a threatening sort of reality.
"The past is always present in the stories we tell."
I've learned that you can't control everything, but you can control how you react to it.